Senaryosu Aziz Kedi, Feyyaz Yi\u011fit ve Mert Baykal taraf\u0131ndan kaleme al\u0131nan filmde Haluk Bilginer ve Feyyaz Yi\u011fit\u2019e Hatice Aslan, Bige \u00d6nal ve \u015eevval Sam e\u015flik ediyor.<\/em><\/p>\nBen filmi sinemada izlemeye gitti\u011fimde \u00f6ncesinde hi\u00e7 ara\u015ft\u0131rma yapmam\u0131\u015ft\u0131m. Filmin ilk yar\u0131m saatinde uyarlama oldu\u011funu ve bu uyarlaman\u0131n bir Frans\u0131z filmden oldu\u011funu anlamam \u00e7ok kolay oldu. Bunun iki sebebi vard\u0131, ilki ger\u00e7ek\u00e7ilikten uzak kurgu, uyarlama oldu\u011funu direkt belli ediyordu. \u0130kincisi de a\u011fdal\u0131 ve uzun, uzun uzun, hatta upuzun bir anlat\u0131m; tipik Frans\u0131z yap\u0131m\u0131. A\u00e7\u0131k\u00e7as\u0131 izlerken s\u0131k\u0131lmad\u0131m de\u011fil. \u00c7\u00fcnk\u00fc ben sanatsal \u00fcr\u00fcnlerde ger\u00e7e\u011fe yak\u0131nl\u0131k, ger\u00e7e\u011fe g\u00f6nderme ar\u0131yorum. Yap\u0131m\u0131n alt metninin insanlara ilham olabilmesini seviyorum. Bu senaryoda ise T\u00fcrkiye’de ger\u00e7ek olmas\u0131 tamamen imkans\u0131z bir i\u015fleyi\u015f g\u00f6r\u00fcyoruz.<\/p>\n
Filmde Haluk Bilginer’in canland\u0131rd\u0131\u011f\u0131 karakter (Refik) fiziksel engelli, \u00fcber zengin, iyi e\u011fitimli, entelekt\u00fcel bir i\u015f adam\u0131. Feyyaz Yi\u011fit’in canland\u0131rd\u0131\u011f\u0131 karakter ise e\u011fitimsiz, g\u00f6rg\u00fcs\u00fcz, h\u0131rs\u0131zl\u0131k ve doland\u0131r\u0131c\u0131l\u0131k yapmay\u0131 kan\u0131ksam\u0131\u015f ve kendine hak g\u00f6ren, tek yetene\u011fi Roman bir aileden gelmesinin etkisi ile iyi m\u00fczik yapmas\u0131 olan birisi (Ferruh). Ferruh, Refik Bey’in hasta bak\u0131c\u0131s\u0131 oluyor. E tamam film bu yani, olabilir. Ama Refik Bey’in hayat\u0131ndaki zengin ve g\u00f6rg\u00fcl\u00fc insanlar\u0131n hepsi nedense insanl\u0131ktan nasibini almam\u0131\u015f y\u00fczeyseli k\u00f6t\u00fc insanlar. Ferruh ise fakir, e\u011fitimsiz, g\u00f6rg\u00fcs\u00fcz ama sanat\u00e7\u0131 ruhlu, a\u015f\u0131r\u0131 filozof, hayat gustosu olan, s\u00f6z\u00fcm ona mutlulu\u011fun anahtar\u0131 bir adam. \u0130\u015fte ben bu noktada kopuyorum.<\/p>\n
Y\u0131llarca zaten T\u00fcrk Filmlerinde, Brezilya dizilerinde t\u00fcm insanl\u0131\u011fa dayat\u0131lan b\u00f6yle bir fikir de\u011fil miydi: Zengin, iyi e\u011fitimli ve g\u00f6rg\u00fcl\u00fc insanlar k\u00f6t\u00fcd\u00fcr, mutsuzdur. Fakir, e\u011fitimsiz, g\u00f6rg\u00fcs\u00fcz, ilkel formda insanlar \u00e7ok mutludur, hayattan tat almay\u0131 bilir. Zenginlik art\u0131k insanl\u0131k seviyesinde g\u00fcn\u00fcm\u00fcz d\u00fcnyas\u0131nda bir turnusol olmasa da iyi e\u011fitimli, g\u00f6rg\u00fcl\u00fc, entelekt\u00fcel ve ahlakl\u0131 insanlar\u0131n h\u0131rs\u0131zl\u0131k yapt\u0131\u011f\u0131, doland\u0131r\u0131c\u0131l\u0131k yapt\u0131\u011f\u0131 pek az g\u00f6r\u00fcl\u00fcr. Di\u011fer yandaki Ferruh personas\u0131 g\u00fcruhundan insanlar\u0131n -\u00f6zellikle gen\u00e7lerin- s\u0131rf para, \u015f\u00f6hret, zenginlik i\u00e7in yapmayaca\u011f\u0131 k\u00f6t\u00fcl\u00fck yoktur.<\/p>\n
Ben \u015fahs\u0131m ad\u0131na bu romantizmi sa\u00e7ma buluyorum.<\/p>\n
\u00d6te yandan filmin ses, g\u00f6r\u00fcnt\u00fc, kost\u00fcm, dekor vb detaylar\u0131 harikayd\u0131. Oyunculuklar\u0131n hepsi m\u00fckemmeldi. Zaten a\u015f\u0131r\u0131 oyunculuk gerektiren tek rol Haluk Bilginer’in karakteri idi bence, geri kalan roller standart ve performans\u0131 kolay rollerdi.<\/p>\n
\u0130zlemeye de\u011fer oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum. Herkesin eline eme\u011fine sa\u011fl\u0131k.<\/p>\n
Sevgiler…<\/p>\n","protected":false},"excerpt":{"rendered":"
Haluk Bilginer ve Feyyaz Yi\u011fit’in ba\u015frollerinde oynad\u0131\u011f\u0131, \u015eevval Sam’\u0131n ise toplamda 1 dakika olmasa bile g\u00f6r\u00fcnmesi ile renk katt\u0131\u011f\u0131, di\u011fer t\u00fcm sanat\u00e7\u0131lar\u0131n ho\u015f performanslar\u0131 ile bezeli uyarlama bir film, Yan Yana. Sizler i\u00e7in izledim. \u0130\u015fte yorumlar\u0131m.<\/p>\n","protected":false},"author":4,"featured_media":2579,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[69,21,20],"tags":[],"class_list":["post-2578","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","category-blog","category-yazilar"],"_links":{"self":[{"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/posts\/2578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/comments?post=2578"}],"version-history":[{"count":1,"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/posts\/2578\/revisions"}],"predecessor-version":[{"id":2580,"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/posts\/2578\/revisions\/2580"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/media\/2579"}],"wp:attachment":[{"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/media?parent=2578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/categories?post=2578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/tags?post=2578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}