{"id":2566,"date":"2025-11-06T11:30:05","date_gmt":"2025-11-06T08:30:05","guid":{"rendered":"https:\/\/gokselaksel.com\/blog\/?p=2566"},"modified":"2025-11-06T11:30:05","modified_gmt":"2025-11-06T08:30:05","slug":"tiyatro-gabrielden-berzah","status":"publish","type":"post","link":"https:\/\/gokselaksel.com\/blog\/tiyatro-gabrielden-berzah\/","title":{"rendered":"Tiyatro Gabriel’den BERZAH"},"content":{"rendered":"

Gen\u00e7 sanat\u00e7\u0131 M. Kayra G\u00fcng\u00f6r’den bir “YOL” hikayesi.<\/strong> Bu yol bildi\u011finiz yollardan de\u011fil, bu yol Berzah<\/strong> aleminde zamans\u0131z bir yol. Karanl\u0131kla ayd\u0131nl\u0131\u011f\u0131n birbirine kar\u0131\u015ft\u0131\u011f\u0131 o ince \u00e7izgide ba\u015flayan Berzah<\/em>, yaln\u0131zca bir tiyatro oyunu de\u011fil; ruhun kendisiyle yapt\u0131\u011f\u0131 sakl\u0131 bir muhasebe. Daha ilk dakikadan itibaren metaforlarla \u00f6r\u00fcl\u00fc dili, sembolik anlat\u0131m\u0131 ve derinlikli sahne diliyle seyirciyi i\u00e7ine \u00e7ekip adeta nefes almadan d\u00fc\u015f\u00fcnmeye davet ediyor.<\/p>\n

Kayra G\u00fcng\u00f6r<\/strong>\u2019\u00fcn yaz\u0131p y\u00f6netti\u011fi bu oyun, gen\u00e7 ya\u015f\u0131na ra\u011fmen ne kadar olgun, ne kadar g\u00fc\u00e7l\u00fc bir hayal d\u00fcnyas\u0131na sahip oldu\u011funu kan\u0131tl\u0131yor. Zaten onun gelece\u011fe dair b\u00fcy\u00fck bir vaat ta\u015f\u0131d\u0131\u011f\u0131n\u0131 biliyordum; ama Berzah<\/em>, bu inanc\u0131 k\u00f6kle\u015ftiren, hatta ta\u00e7land\u0131ran bir \u00e7al\u0131\u015fma olmu\u015f. S\u00f6z\u00fc sadece s\u00f6ylemekle kalmay\u0131p hissettiren, izleyeni yaln\u0131zca izleyici olmaktan \u00e7\u0131kar\u0131p tan\u0131kl\u0131\u011fa zorlayan bir oyun yaratm\u0131\u015f. Kara komedi tarz\u0131n\u0131 ta\u015f\u0131yan oyun yer yer fantastik \u00f6geler bar\u0131nd\u0131r\u0131yor ve metafor dolu dili ile izleyiciyi s\u0131k\u00e7a d\u00fc\u015f\u00fcnd\u00fcr\u00fcyor.<\/p>\n

\"\"<\/p>\n

Oyunun her sahnesinde, \u201cyolculuk mu daha \u00f6nemli, yolun kendisi mi?\u201d<\/strong> sorusu yeniden yank\u0131lan\u0131yor. Zaman\u0131n y\u00f6n\u00fcn\u00fc kaybetti\u011fi, vicdan\u0131n karanl\u0131kta f\u0131s\u0131ldad\u0131\u011f\u0131, her ad\u0131m\u0131n bir i\u00e7 hesapla\u015fmaya d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fc bu evrende insan kendi sesini duyuyor. Berzah, izleyiciye sadece bir hik\u00e2ye anlatm\u0131yor; ayn\u0131 zamanda izleyenlerin i\u00e7 d\u00fcnyas\u0131na do\u011fru bir kap\u0131 aral\u0131yor.<\/p>\n

Metaforlar\u0131n yo\u011funlu\u011fu, sahne tasar\u0131m\u0131n\u0131n \u015fiirselli\u011fi ve oyunculuklar\u0131n i\u00e7tenli\u011fiyle birle\u015fince ortaya b\u00fcy\u00fcleyici bir deneyim \u00e7\u0131km\u0131\u015f. Bu oyunda her c\u00fcmle bir iz, her karar bir ayna, her sessizlik sars\u0131c\u0131 bir hakikat gibi kar\u015f\u0131m\u0131za dikiliyor.<\/p>\n

Kayra G\u00fcng\u00f6r, yaln\u0131zca ba\u015far\u0131l\u0131 bir oyun yazar\u0131 ve y\u00f6netmen de\u011fil; ayn\u0131 zamanda \u00e7a\u011f\u0131n\u0131n ruhunu sezebilen, bunu cesur bir anlat\u0131mla sahneye d\u00f6kebilen nadir bir sanat\u00e7\u0131. Eminim ki yolu \u00e7ok uzun, \u00e7ok parlak ve ilham verici olacak. Berzah<\/em>, bu yolculu\u011fun yaln\u0131zca b\u00fcy\u00fck ad\u0131mlar\u0131ndan biri.<\/p>\n

\"\"<\/p>\n

Oyuncu performanslar\u0131, sahne tasar\u0131m\u0131, \u0131\u015f\u0131k, ses, kost\u00fcmler, her \u015fey olduk\u00e7a g\u00fczeldi. Detaylar ince ince d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015ft\u00fc. Ek olarak belirtmek isterim ki, oyun ba\u015flamadan hemen \u00f6nce fuaye alan\u0131nda baz\u0131 karakterlerin izleyici ile tan\u0131\u015fmas\u0131, s\u0131cak bir temas sa\u011flarken merak da uyand\u0131ran tatl\u0131 bir detay olmu\u015f.<\/p>\n

Tiyatro Gabriel\u2019e bu i\u00e7sel yolculu\u011fu sahneye ta\u015f\u0131d\u0131\u011f\u0131 i\u00e7in, Kayra G\u00fcng\u00f6r\u2019e ise bizi kendi yarg\u0131m\u0131z\u0131n tan\u0131\u011f\u0131 k\u0131ld\u0131\u011f\u0131 i\u00e7in y\u00fcrekten te\u015fekk\u00fcr ederim.<\/p>\n

\n

Oyun K\u00fcnyesi<\/strong><\/p>\n

Yazan y\u00f6neten M.Kayra G\u00fcng\u00f6r<\/p>\n

Azra Ba\u015fak Timu\u00e7in\/ Ma\u015fuk
\n\u00c7a\u011fatay Say\u0131n \/ A\u015f\u0131k
\nN. Dila Demirci \/ Bilge
\nEl\u00e7in Bozkurt \/Prenses
\nM. Kayra G\u00fcng\u00f6r\/ General
\nSuat G\u00f6kba\u015f \/ iyi
\nG\u00f6kay Palamut \/ k\u00f6t\u00fc<\/p>\n","protected":false},"excerpt":{"rendered":"

Gen\u00e7 sanat\u00e7\u0131 M. Kayra G\u00fcng\u00f6r’den bir “YOL” hikayesi. Bu yol bildi\u011finiz yollardan de\u011fil, bu yol Berzah aleminde zamans\u0131z bir yol. Karanl\u0131kla ayd\u0131nl\u0131\u011f\u0131n birbirine kar\u0131\u015ft\u0131\u011f\u0131 o ince \u00e7izgide ba\u015flayan Berzah, yaln\u0131zca bir tiyatro oyunu de\u011fil; ruhun kendisiyle yapt\u0131\u011f\u0131 sakl\u0131 bir muhasebe. Daha ilk dakikadan itibaren metaforlarla \u00f6r\u00fcl\u00fc dili, sembolik anlat\u0131m\u0131 ve derinlikli sahne diliyle seyirciyi i\u00e7ine \u00e7ekip adeta nefes almadan d\u00fc\u015f\u00fcnmeye davet ediyor.<\/p>\n","protected":false},"author":4,"featured_media":2567,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[69,21],"tags":[201,818,820,819,37,817,95,821],"class_list":["post-2566","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","category-blog","tag-ankara-kultur-sanat-etkinlikleri","tag-ankara-tiyatro-berzah","tag-berzah-ne-demek","tag-berzah-tiyatro-gabriel","tag-goksel-aksel","tag-kayra-gungor","tag-kultur-sanat","tag-metafor-analizi"],"_links":{"self":[{"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/posts\/2566","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/comments?post=2566"}],"version-history":[{"count":1,"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/posts\/2566\/revisions"}],"predecessor-version":[{"id":2571,"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/posts\/2566\/revisions\/2571"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/media\/2567"}],"wp:attachment":[{"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/media?parent=2566"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/categories?post=2566"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gokselaksel.com\/blog\/wp-json\/wp\/v2\/tags?post=2566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}